LTI Reading Comprehension Quiz – 1

Question 1

Time: 00:00:00
Read the passage and answer the questions that follow:-

Since these early beginnings India’s film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class.

Interestingly, in the late 1920s the British government tried to promote UK film in India in an attempt to overtake the growing American cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indian produced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a stronghold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today.

Another influential factor in Bollywood’s growth was India’s independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor and Vijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.

Question: Which of the following methods have not been in leverage to the growth of Indian cinema?

Delimit access for the viewers

Delimit access for the viewers

Inclusive benefits in the final amount

Inclusive benefits in the final amount

A favouring critique committee

A favouring critique committee

None of these

None of these

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Question 2

Time: 00:00:00
Read the passage and answer the questions that follow:-

Since these early beginnings India’s film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class.

Interestingly, in the late 1920s the British government tried to promote UK film in India in an attempt to overtake the growing American cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indian produced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a stronghold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today.

Another influential factor in Bollywood’s growth was India’s independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor and Vijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.

Question: Which of these could be an appropriate reason for the British’s unsuccessful attempt in the Indian film fraternity?

Wider public acceptance of Indian films

Wider public acceptance of Indian films

Cheaper prices for tickets for the audience

Cheaper prices for tickets for the audience

Unstoppable national Indian film favoritism

Unstoppable national Indian film favoritism

None of these

None of these

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Question 3

Time: 00:00:00
Read the passage and answer the questions that follow:-

Since these early beginnings India’s film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class.

Interestingly, in the late 1920s the British government tried to promote UK film in India in an attempt to overtake the growing American cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indian produced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a stronghold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today.

Another influential factor in Bollywood’s growth was India’s independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor and Vijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.

Question: Which of the following could be inferred as the reason for the success of Indian Films?

A - Wider range of Classic movies

B - Embracing sounds and dialogues for entertainment

C - Being entitled as the autonomous country boosted the growth

D - Upsurge of musical audio and visual elements in the movies

Only B

Only B

A and C

A and C

B and D

B and D

D, C, and A

D, C, and A

All of these

All of these

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Question 4

Time: 00:00:00
Read the passage and answer the questions that follow:-

Since these early beginnings India’s film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class.

Interestingly, in the late 1920s the British government tried to promote UK film in India in an attempt to overtake the growing American cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indian produced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a stronghold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today.

Another influential factor in Bollywood’s growth was India’s independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor and Vijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.

Question: Which of these factors do not mark as an achievement for the Indian Film Industry?

One of the leading film industries in the world

One of the leading film industries in the world

Experiencing the Golden Era as a milestone

Experiencing the Golden Era as a milestone

Failed attempt of making UK films flourishing in India

Failed attempt of making UK films flourishing in India

Bridging the economic gap in India

Bridging the economic gap in India

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Question 5

Time: 00:00:00
Read the passage and answer the questions that follow:-

Since these early beginnings India’s film industry has continued to flourish, growing in popularity, size and reach. There are many factors for this ongoing growth, one of them being the affordability of cinema in the country. From the early days onwards, India cinema venues have made films accessible to the wider public, providing cheap admission, with convenient extras being sold as buyable additions, not inbuilt in the price. With the vast economic gap that is found in India, this factor has allowed film to become an art form for the people, not just for the upper class.

Interestingly, in the late 1920s the British government tried to promote UK film in India in an attempt to overtake the growing American cinema, and created the Indian Cinematograph Enquiry Committee. This programme failed with this aim however, with the committee favouring Indian produced films; it seemed that nothing could stop the growth of this national movement. With technology advancements, sound and dialogue became more and more implemented in Indian films throughout the 1930s, leading to a surge of song and dance in films, such as in Indrasabha and Devi Devyani. This element would take a stronghold in Hindi cinema, and is a renowned quality found in many Bollywood films being made today.

Another influential factor in Bollywood’s growth was India’s independence in 1947. Proud in becoming an autonomous country, national cinema experienced a Golden Era from the 1940s to the 1960s. This era saw directors such as Satyajit Ray, Guru Dutt, Raj Kapoor and Vijay Bhatt create a wide range of classic films, further establishing and redefining Indian film. It was these influential filmmakers who paved the pathway for the future of Bollywood, and its present day position as one of the largest film industries in the world.

Question: “Nothing could stop the growth of this national movement” - what movement is being talked about here?

The implication of promoting UK produced film in India and to the Indian audience

The implication of promoting UK produced film in India and to the Indian audience

The widespread acceptance of the Indian film industry and Indian produced films

The widespread acceptance of the Indian film industry and Indian produced films

The growth of entertainment provided to the upper class people of India and of the globe

The growth of entertainment provided to the upper class people of India and of the globe

The charge that the Indian filmmakers took to pave the way for Indian cinema in world entertainment industry

The charge that the Indian filmmakers took to pave the way for Indian cinema in world entertainment industry

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Question 6

Time: 00:00:00
Read the passage and answer the questions that follow:-

In its philosophy and ethics, the Mahabharata proffers riches to its readers, in particular about the nature of human suffering as an ever-present challenge to any moral order. But what aesthetic emotion might a tale of politics and pain, such as the Mahabharata, spark in readers?

The idea is that, after perusing the vicious politics and violence endemic to the human condition as depicted in the Mahabharata, people would be disenchanted with earthly things and so renounce the world in favour of more spiritual pursuits, as Yudhishthira wished to.

Indeed, the Mahabharata’s promise to explore (among other things) immorality, politics, sexism and identity problems as general features of human life rings true in our times.

Over the past several years, politics in India and the United States have taken dark turns as both countries turn their backs on the values of pluralism and embrace ethno- and religious nationalisms. Violence and death are heavily used tools by governments in both countries.

Sexism has never gone away. It is a critical part of the current surge of Right-wing ideologies and their embrace of male privilege. Moreover, the responses to the COVID-19 pandemic are reasserting retrograde gender roles in many places across the globe. The pandemic’s toll on women’s physical safety, mental health and careers is great and growing.

Identity, too, plagues us. The caste system is still very much alive, in both India and the diaspora. We also struggle with types of oppression birthed in modernity, such as racism. The Mahabharata makes no false promises of solving such problems, but it does offer us tools for thinking them through, now and in the future, even if – or perhaps especially if – that future looks dark.

Question: What according to the passage is not a true statement?

After grasping the true meaning of Mahabharata, the materialistic favours will be renounced by people in search of more spiritual findings

After grasping the true meaning of Mahabharata, the materialistic favours will be renounced by people in search of more spiritual findings

Human sufferings and pain is an eternal phenomenon

Human sufferings and pain is an eternal phenomenon

The governments of US and India is proving to be aidful for people in the times of pandemic

The governments of US and India is proving to be aidful for people in the times of pandemic

There is no end to casteism in the social structure of India.

There is no end to casteism in the social structure of India.

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Question 7

Time: 00:00:00
Read the passage and answer the questions that follow:-

In its philosophy and ethics, the Mahabharata proffers riches to its readers, in particular about the nature of human suffering as an ever-present challenge to any moral order. But what aesthetic emotion might a tale of politics and pain, such as the Mahabharata, spark in readers?

The idea is that, after perusing the vicious politics and violence endemic to the human condition as depicted in the Mahabharata, people would be disenchanted with earthly things and so renounce the world in favour of more spiritual pursuits, as Yudhishthira wished to.

Indeed, the Mahabharata’s promise to explore (among other things) immorality, politics, sexism and identity problems as general features of human life rings true in our times.

Over the past several years, politics in India and the United States have taken dark turns as both countries turn their backs on the values of pluralism and embrace ethno- and religious nationalisms. Violence and death are heavily used tools by governments in both countries.

Sexism has never gone away. It is a critical part of the current surge of Right-wing ideologies and their embrace of male privilege. Moreover, the responses to the COVID-19 pandemic are reasserting retrograde gender roles in many places across the globe. The pandemic’s toll on women’s physical safety, mental health and careers is great and growing.

Identity, too, plagues us. The caste system is still very much alive, in both India and the diaspora. We also struggle with types of oppression birthed in modernity, such as racism. The Mahabharata makes no false promises of solving such problems, but it does offer us tools for thinking them through, now and in the future, even if – or perhaps especially if – that future looks dark.

Question: Which of these statements can be an inference from the above passage?

Mahabharata is the mirror to our present day social structure in which we live as a dynamic group of people

Mahabharata is the mirror to our present day social structure in which we live as a dynamic group of people

Yudhisthir chose the path of spiritual living because of witnessing massive human exploitation

Yudhisthir chose the path of spiritual living because of witnessing massive human exploitation

Mahabharata as an Indian epic revolves around the richness of our ancient Indian cultures

Mahabharata as an Indian epic revolves around the richness of our ancient Indian cultures

None of these can be inferred from the passage

None of these can be inferred from the passage

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Question 8

Time: 00:00:00
Read the passage and answer the questions that follow:-

In its philosophy and ethics, the Mahabharata proffers riches to its readers, in particular about the nature of human suffering as an ever-present challenge to any moral order. But what aesthetic emotion might a tale of politics and pain, such as the Mahabharata, spark in readers?

The idea is that, after perusing the vicious politics and violence endemic to the human condition as depicted in the Mahabharata, people would be disenchanted with earthly things and so renounce the world in favour of more spiritual pursuits, as Yudhishthira wished to.

Indeed, the Mahabharata’s promise to explore (among other things) immorality, politics, sexism and identity problems as general features of human life rings true in our times.

Over the past several years, politics in India and the United States have taken dark turns as both countries turn their backs on the values of pluralism and embrace ethno- and religious nationalisms. Violence and death are heavily used tools by governments in both countries.

Sexism has never gone away. It is a critical part of the current surge of Right-wing ideologies and their embrace of male privilege. Moreover, the responses to the COVID-19 pandemic are reasserting retrograde gender roles in many places across the globe. The pandemic’s toll on women’s physical safety, mental health and careers is great and growing.

Identity, too, plagues us. The caste system is still very much alive, in both India and the diaspora. We also struggle with types of oppression birthed in modernity, such as racism. The Mahabharata makes no false promises of solving such problems, but it does offer us tools for thinking them through, now and in the future, even if – or perhaps especially if – that future looks dark.

Question: Choose a word from the options that is a close to the meaning of the word - ‘DIASPORA

Oblivious

Oblivious

Exodus

Exodus

Nonplussed

Nonplussed

Ironically

Ironically

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Question 9

Time: 00:00:00
Read the passage and answer the questions that follow:-

In its philosophy and ethics, the Mahabharata proffers riches to its readers, in particular about the nature of human suffering as an ever-present challenge to any moral order. But what aesthetic emotion might a tale of politics and pain, such as the Mahabharata, spark in readers?

The idea is that, after perusing the vicious politics and violence endemic to the human condition as depicted in the Mahabharata, people would be disenchanted with earthly things and so renounce the world in favour of more spiritual pursuits, as Yudhishthira wished to.

Indeed, the Mahabharata’s promise to explore (among other things) immorality, politics, sexism and identity problems as general features of human life rings true in our times.

Over the past several years, politics in India and the United States have taken dark turns as both countries turn their backs on the values of pluralism and embrace ethno- and religious nationalisms. Violence and death are heavily used tools by governments in both countries.

Sexism has never gone away. It is a critical part of the current surge of Right-wing ideologies and their embrace of male privilege. Moreover, the responses to the COVID-19 pandemic are reasserting retrograde gender roles in many places across the globe. The pandemic’s toll on women’s physical safety, mental health and careers is great and growing.

Identity, too, plagues us. The caste system is still very much alive, in both India and the diaspora. We also struggle with types of oppression birthed in modernity, such as racism. The Mahabharata makes no false promises of solving such problems, but it does offer us tools for thinking them through, now and in the future, even if – or perhaps especially if – that future looks dark.

Question: Which of the following statements can be used as a valid conclusion against the Indian and US government?

A - They have shown a greater support to ethno- and religious nationalisms

B - Their attempts to curb sexism has shown minor effects in the countries

C - Pluralism has taken a back seat in the rule of the two governments

Only A

Only A

B and C

B and C

C and A

C and A

A, B and C

A, B and C

B and A

B and A

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Question 10

Time: 00:00:00
Read the passage and answer the questions that follow:-

In its philosophy and ethics, the Mahabharata proffers riches to its readers, in particular about the nature of human suffering as an ever-present challenge to any moral order. But what aesthetic emotion might a tale of politics and pain, such as the Mahabharata, spark in readers?

The idea is that, after perusing the vicious politics and violence endemic to the human condition as depicted in the Mahabharata, people would be disenchanted with earthly things and so renounce the world in favour of more spiritual pursuits, as Yudhishthira wished to.

Indeed, the Mahabharata’s promise to explore (among other things) immorality, politics, sexism and identity problems as general features of human life rings true in our times.

Over the past several years, politics in India and the United States have taken dark turns as both countries turn their backs on the values of pluralism and embrace ethno- and religious nationalisms. Violence and death are heavily used tools by governments in both countries.

Sexism has never gone away. It is a critical part of the current surge of Right-wing ideologies and their embrace of male privilege. Moreover, the responses to the COVID-19 pandemic are reasserting retrograde gender roles in many places across the globe. The pandemic’s toll on women’s physical safety, mental health and careers is great and growing.

Identity, too, plagues us. The caste system is still very much alive, in both India and the diaspora. We also struggle with types of oppression birthed in modernity, such as racism. The Mahabharata makes no false promises of solving such problems, but it does offer us tools for thinking them through, now and in the future, even if – or perhaps especially if – that future looks dark.

Question: How has the author related the Indian epic and the COVID pandemic in this passage?

Both the Mahabharata and the COVID pandemic directs the people to avoid panic and lead a more spiritualistic led life that can bring solace to the human race

Both the Mahabharata and the COVID pandemic directs the people to avoid panic and lead a more spiritualistic led life that can bring solace to the human race

Like the COVID pandemic, the Mahabharata was an epic of war among the family lineage and violence of the authorities

Like the COVID pandemic, the Mahabharata was an epic of war among the family lineage and violence of the authorities

The values of truth over life has a direct relationship with both Mahabharata and COVID

The values of truth over life has a direct relationship with both Mahabharata and COVID

As Mahabharatha was an epic that underlined the male privilege and casteism, COVID too has splurged the immoral ethics of sexism and took a toll on women privilege in the society as a whole

As Mahabharatha was an epic that underlined the male privilege and casteism, COVID too has splurged the immoral ethics of sexism and took a toll on women privilege in the society as a whole

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